The first major career survey of work by renowned fiber and textile artist Billie Zangewa
Published to accompany the exhibition presented by the Museum of the African Diaspora (MoAD) in San Francisco, Billie Zangewa: Thread for a Web Begun explores Zangewa’s creation of literal and figurative tapestries of the everyday lives and contemporary intersectional identities of Black women. Through her hand-sewn silk collages, which primarily depict Black women in the domestic sphere, Zangewa reclaims a medium that was once relegated as “women’s work” and delves into the familiarity, beauty, and sociopolitical drivers of the seemingly mundane. Beginning her career in the fashion and advertising industries, Zangewa employs her understanding of textiles to portray personal and universal experiences through domestic interiors, urban landscapes, and portraiture. Through the method of their making and their narrative content, Zangewa’s silk paintings illustrate gendered labor in a sociopolitical context, where the domestic sphere becomes a pretext for a deeper understanding of the construction of identity, questions around gender stereotypes, and racial prejudice.
This volume, packaged in a beautiful slipcase, showcases the past 15 years of Zangewa’s work as well as new pieces made for this exhibition, and although many of these decontextualized pieces are autobiographical, all of them portray a sense of intimacy and exploration of identity—connecting the pieces to each other through a larger narrative about Black femininity and tugging on the thread of the viewer’s own lived experience.
BIO
Dexter Wimberly is an American entrepreneur and curator based in Hayama, Japan. He’s the co-founder and CEO of the online education platform CreativeStudy.
Wimberly has organized exhibitions in galleries and museums around the world including the Museum of Arts and Design in New York City, The Green Family Art Foundation in Dallas, The Harvey B. Gantt Center in Charlotte, The Museum of the African Diaspora (MoAD) in San Francisco, KOKI Arts in Tokyo, and The Third Line in Dubai.
His exhibitions have been reviewed and featured in publications including The New York Times and Artforum, and have received support from The Andy Warhol Foundation for the Visual Arts, and The Kinkade Family Foundation.
Wimberly is a Senior Critic at New York Academy of Art, and the founder and director of the Hayama Artist Residency in Japan. Prior to his curatorial career, Wimberly was the managing partner of the New York-based advertising and marketing agency August Bishop, representing a diverse array of clients including Adidas, The Coca-Cola Company, and HBO.
The Museum of the African Diaspora opened to the public in 2005 and is a 501 (c)(3) nonprofit organization. MoAD is based in the San Francisco Bay Area and plays a vital role in the local arts community. MoAD is uniquely positioned as one of the few museums in the world focused exclusively on African Diaspora culture and on presenting the rich cultural heritage of the people of Africa and of African descendant cultures all across the globe.
[H] Cameron Books / May 16, 2023
112 pages