Black Futures is a collection of work--art, photos, essays, memes, dialogues, recipes, tweets, poetry, and more--that tells the story of the radical, imaginative, bold, and beautiful world that black artists, high and low, are producing today. The book presents a succession of brilliant and provocative pieces--from both emerging and renowned creators of all kinds--that generates an entrancing rhythm: Readers will go from conversations with hackers and street artists to memes and Instagram posts, from powerful prose to dazzling paintings and insightful infographics. A generational document that captures this fast-moving generation in its own dynamic and expansive language. While shaped in the tradition of other generational statements, from The New Negro to Black Fire to Toni Morrison's landmark The Black Book, Black Futures does not have a retrospective air. It showcases the present, but points to the future. We live at a time when black culture--whether it's created by Ava DuVernay or Donald Glover, Kendrick Lamar or Cardi B, meme-makers or YouTubers--is opening our imaginations and offering new paths forward, a multi-voiced, utopian alternative to a world of walls and white nationalism. Black Futures captures this expansive vision and energy and makes it available to any reader, of any color, who wants to explore this exciting cultural moment and see the next one coming.
BIOS
Kimberly Drew is a writer, curator, and activist. Drew received her B.A. from Smith College in art history and African-American studies. During her time at Smith, she launched the Tumblr blog Black Contemporary Art, which has featured artwork by nearly 5,000 black artists. Drew's writing has appeared in Vanity Fair, Elle UK, and Glamour. She lives in Brooklyn, New York (just a few blocks away from Jenna Wortham).
Jenna Wortham is a staff writer for The New York Times Magazine. She is also co-host of the podcast Still Processing, as well as a sound healer, reiki practitioner, and herbalist, all of which she lovingly practices on Kimberly Drew. She is currently working on a book about the body and dissociation. She lives in Brooklyn, New York.
REVIEWS
"A dynamic mixed-media exhibition of Black creativity and culture . . . The work is vivid, juicy, thick--as fecund as all of Black culture--and equal parts anthology, scrapbook, and art xhibition. The editors and contributors make clear the 'infinite'" nature of Blackness via more than 500 crammed pages of essays, art, interviews, and ephemera. . . . A must-own compendium illustrating the richness, joy, and power of the modern Black experience." --Kirkus Reviews
"An intriguing and beautiful book meant to inspire . . . Punctuated throughout with photography and other artwork and using vibrant colors smartly, the book is as interesting visually as intellectually. In their introduction, the editors state that one of their intentions with this book 'is to encourage readers to follow their interests into a deep warren of rabbit holes and discoveries.' They succeed; every reader will engage with this work differently, and will be able to come back to it again and again for inspiration." --Booklist
"[A] multifaceted and visually arresting anthology of essays, poems, and art . . . Bold graphics, vibrant artwork in a plethora of styles and media, and contributions from activists, scholars, and journalists across a wide range of experiences and perspectives showcase the multidimensionality of Black voices in America. This unique and imaginative work issues a powerful call for justice, equality, and inclusion." --Publishers Weekly
[H] One World / December 01, 2020
1.5" H x 9.2" L x 7.6" W (3.16 lbs) 544 pages
[P] One World / October 26, 2021
1.2" H x 9.1" L x 7.3" W (3.15 lbs) 544 pages